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"Forgetting the Shadows of History", the new album from "And Did Those Feet".

About "And Did Those Feet"

The name And Did Those Feet is derived from ‘And Did Those Feet in Ancient Times’ better known as the words to the poem Jerusalem by William Blake.

The nucleus of the group comprises founder and composer Richard Ellin. The principle vocalist is Ina Williams who possesses one of the finest voices to be found in Wales. 
Cecilia Jones completes the trio providing solo performances and vocal accompaniment to complement Ina’s voice perfectly, the two beautifully layered and at times melding into one.      

The music of And Did Those Feet moves between spiritual, pastoral, contemporary, light classical, Welsh language and there’s poetry too. There is no mistaking that the music here comes from England’s green and pleasant land, but most of all the album brings to the listener the beauty of the human voice in all its glory.

 

When asked about his writing in a recent interview Richard Ellin described it as,
“ Experiential fragments, ideas and philosophical views which explore the deeper resonance and cadences of life”.

The charm of And Did Those Feet is that it has always been able to adapt to its performance surroundings by adding musicians and vocalists to suit the venue or occasion. This flexible use of personnel, instruments and vocalists is well displayed in their previous albums,
"Spirit of the Age" and the critically acclaimed "Hymn for a Glad Tomorrow".


RICHARD ELLIN (Founder & Composer)

Richard Ellin started his career as a violinist in the now legendary Portsmouth Sinfonia alongside musicians of varying ability and future stars like Brian Eno and Gavin Bryars.

Today his favoured instrument is the classical guitar. Although not formally trained in the traditional sense, Ellin has across the last thirty years sought tuition and countenance from masters of the instrument.

Richard has spent a large part of his working life in London, before making Ceredigion in Wales his home. With a burning desire to play music Richard found the additional need to compose and write lyrics. Moving to a more spiritual location with its different pace and way of life he has been able to focus properly on music composition..

Richard formed "And Did Those Feet" in 1992 primarily as a vehicle for his own compositions.

Cecilia Jones, Ina Williams, Richard Ellin
And Did Those Feet prior to playing live for the BBC at the Royal Welsh, 2003. Left to right: Cecilia Jones, Ina Williams and Richard Ellin. Photograph by David Jones

INA WILLIAMS (Vocalist)

Ina Williams studied music at Trinity College in Carmarthen gaining a Bachelor of Education in Music. She has won many singing competitions in Wales including the prestigious "Blue Ribbon" at the National Eisteddfod.

Her career started at the age of four when she appeared at a local Eisteddfod. Aged five Ina won the Urdd Eisteddfod held in Colwyn Bay, and at the age of seven she won a radio competition on a programme called "Helo Bobl."

By the age of eight Ina was a dab hand at performing, clinching first place at the International Eisteddfod at Llangollen. In 1982 Ina was a soloist with the Llandovery Choir performing in her homeland and a European engagement when the choir visited France.

The winning continued a pace when in 1989 Ina won first prize in the girl’s solo competition at the National Eisteddfod.

The Llandovery Choir returned to France again in 1990 with Ina as their soloist; and the winning continued with this daughter of Wales picking up first place in the folk song section for fifteen to nineteen year olds at the Urdd Eisteddfod. In the same year Ina won the solo song section for girls at the National Eisteddfod. She also picked up second place in the Eisteddfod at Llangollen this time for folk song in the under nineteen section.

In 1992 Ina won the Sir Geraint Evans award following her achievement as best soloist in the Inter Colleges Eisteddfod.

 

HARVEY SUMMERS

Special mention should be given to Harvey Summers who co produced and arranged the album. www.harveysummers.com

CECILIA JONES (Vocalist)

Cecilia Jones was born in Paradise Hill, Saskatchewan, Canada and raised on farms in Northern British Columbia, near to the Rocky Mountains in Chetwynd (Moccasin Flats), East Pine & Kilkaren – Dawson Creek.

Her teenage years saw her in a local theatre club performing in musicals such as Godspell, You’re a Good Man Charlie Brown, Wizard of Oz etc. In the summertime she worked as a playground leader with children aged 6-12 often arranging sing-songs on the school bus (together with her brothers & sisters!!) to pass the time on an hour long ride home from school. Singing was featured in our daily activities (i.e. singing songs as they marched along on hikes through the woods (i.e. Purple Stew). 

She arrived in the UK when she was eighteen and lived in & around London for twenty three years before moving to Wales. .

Cecilia continued singing in choirs and small groups for enjoyment and charitable purposes.  As a result Cecilia has sung in places as wide ranging as children’s hospital wards, care homes for the elderly, shopping centres, pubs, weddings etc. Some of the charities supported were NSPCC, Worldwide Fund for Nature & the Red Cross

Once in the United Kingdom Cecilia became particularly interested in traditional folk music of the British Isles and of other countries.  She is also interested in the various singing forms from around the world.

Through the years Cecilia has recorded for various ad hoc music projects and also a commercial for BBC Children’s Television, celebrating 40 yrs (sang “Brain Food” in 5 different harmonies!)

Cecilia Jones first started working with Richard Ellin about five years ago on a library project to produce background music for a book entitled Tales of a Night Watchman. Around the same time they also started working together on original material from Richard & Nick Woodeson together with a mix of traditional folk songs to record the C.D. “In the Wake” on the Terra Nova label


"Forgetting the Shadows of History"
Song Notes by Richard Ellin.

Dream of the Mountains.
The inspiration for this song came to me in the middle of a ‘bad day at the office’ in 1993. Even now, conjecture aside, I still don't know what the line 'Dreaming in me’ is about. I've always had a fondness for Christmas Carols in all their various guises and the tune puts me in mind of them.

Hope for Thee.
What you hear in this recording of ‘Hope for Thee’ is my umpteenth attempt at recording this song. Once I heard Harvey Summers arrangement I knew we would get it right this time. It started life as an exercise in seeing what melodies could be written across unusual chord patterns.

Mil Harddach Wyt.
Ina Williams has won many a singing competition with her beautiful voice bringing life and emotion to this wonderful Welsh lullaby. Listen and weep, I do.

Aching Light.
Very loosely based around the walking song idea. The 'Aching light' section in the chorus really happened like that. Dedicated to my dear friend Mary who is the lady referred to in the third verse.

Who Fills These Eyes?
Maybe I'm getting old but when I look into some young children's eyes it seems like something is looking back at me that is from far far away. One day I know we will learn something from them.

The Way of the Rose.
Written especially for Cecilia Jones by way of a welcome when she joined And Did Those Feet. I later discovered that Cecilia’s middle name was Rose. 

One Guarantee.
Benjamin Franklin once wrote in a letter to Jean Baptiste Leroy 'In this world nothing can be said to be certain but death and taxes’. As the latter is sometimes moot, one guarantee it has to be, sung in the old Welsh chapel style.

Residuals and the Myth of Electricity parts one and two.
Extracts from what I call a 'musicage', the musical equivalent of verbiage. I improvised for around forty minutes, added a second guitar, picked out the interesting bits and then randomly 'shuffled' them to create unexpected juxtapositions.

 

And Did Those Feet perform for BBC Wales

 

Reverence.
The poem ‘Reverence’ by Hilary Stone has always struck me as having a touch of the oriental about it and Michael Cleaver’s guitar piece seemed a good backdrop most especially to the final line 'It is in the small that the world turns'

Distant Tears.
The song arrived during a very stressful time in my life. Why is it that we usually look for higher intelligence in such times but rarely give it a second thought when things are better?

Always Island.
A translation from Greek prose, or to give it a modern name, 'Spaceship Earth'. The middle eight seems to have a Shakespearian quality about it.

Angelus.
For Angelus I asked Harvey Summers for 'something of today' for this reworking of
'Two Nightingales'. I now know what ambient trip hop sounds like!       

 


Rambles.net review of "And Did Those Feet, Forgetting the Shadows of History"
(Terra Nova, 2006)

There is a fantastic spiritual feel to the mystical combination of music, lyrics and voices on Forgetting the Shadows of History, the latest from And Did Those Feet. Calling it new age or Celtic or any other label would be to cause great injustice. This is a CD that would engage the mind, ears and hearts of anyone but the tone deaf who gives it a fair hearing.

"Dream of the Mountains" is almost worn out on my copy. The voices, the sound, the music all transport you to another place. In the notes Richard Ellin -- the visionary behind this group -- tells us it was inspired in the middle of "a bad day at the office." Without being mean, I wish him a hundred more such bad days. His less than perfect day could give any of us the antidote to a bad day of our own.

 

We often forget our Welsh cousins when we speak of Celtic music. Perhaps they are too often connected with rugby or choral music. The haunting lullaby "Mil Harddach Wyt" will be a salutary reminder that we all share the musical heritage. "Who Fills These Eyes?" is a song for anyone who has looked into the eyes of children.

The one fear I always have with an album like this is that people are too cautious in choosing music. They look for familiar performers and failing that, familiar tracks. This group does not compromise.

Apparently their name comes from the William Blake poem "Jerusalem" and the album title, although evocative, is still unlikely to generate impulse purchasing. If you miss it because of unfamiliarity you will be the bigger loser.

by Nicky Rossiter
Rambles.NET
25 March 2006


AND DID THOSE FEET CATALOGUE

Albums
Forgetting The Shadows Of History
Hymn For A Glad Tomorrow
Spirit Of The Age

Singles
1. Avalon Yet 2. To Clementine Churchill a poem by Sally Hayes
1. Hymn For A Glad Tomorrow
1. Angelus 2. Mil Harddach Wyt 3. Avalon Yet 
(The track Avalon Yet is in video format and featured many times on Classic FM T.V.)

 

 

Distribution

Terra Nova Music http://www.terranovamusic.com
Proper Music Distribution http://www.properdistribution.com

For further information, interviews, review copies and images contact

Pat Tynan Media
Phone 01895 904536 Mobile 07985 400297
pattynan@btinternet.com



Richard Ellin & Ina Williams

Richard Ellin & Ina Williams

 

 

And Did Those Feet Animated